![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc8smtzyvtcni-btDNRIylpnjsxUZ6IrNCnn3GYFiyX_jZlVgHrkjqdaR7ckMwIL9EWQDgS8axn_qSnSEGl9nYmfPxFIcRwytyhsk4jgqNFd2O8cz6TqtoOMxqBIdctiwEaaP91J6dx28/s400/Ugolino.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUZYqxwY5i1UeXgWhNdZQWuSW126iXNybvpMxdVdeXYe6PdvZ6BQctj66jMTsb1gngMjVOdWSUF4TMPvN2RoqqQojR7z6Ebpo_Du4q6HqEvlESBnb9srcei71hrwWZXRCu4y-lG83gAww/s200/Ugolino+Study.jpg)
Yesterday, I brought up the point that I have begun to recognize "old friends" from the Met at other locations, so I thought I'd share another example. I first encountered
Ugolino and HIs Sons, a beautiful marble sculpture (above, left), in the Petrie Court for European Sculpture at the Metropolitan Museum of Art. So I was thrilled to recognize a bronze cast (above, right) and a small clay model (right) by Jean-Baptiste Carpeaux at Museé d'Orsay in Paris.
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